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																												Sabbannu Phaya (သဗ္ဗညုဘုရား) 
Burmese-Pali 
name for
a just over 60 meter high Buddhist temple in
			      
			      
                  
			      Pagan, i.e. 
the tallest of all 
‘temples’ in this ancient kingdom, 
though it is dwarfed by some of the larger 
		    
			stupas, 
such as as 
							
			Shwesandaw Phaya (fig.), 
which is one of the tallest 
‘pagodas’ 
in this  former 
capital.
The designation is a compound of the Pali word
sabbannu, 
which means 
‘omniscient’, and the Burmese 
term 
		            
					
					Phaya, 
which can be translated as 
‘Buddha’ 
or ‘Buddha image’, 
but also as ‘stupa’ 
or ‘pagoda’. 
It is also commonly referred to as Thatbyinnyu Phaya (fig.), 
a Burmese equivalent of the Burmese-Pali name, which is short for 
Thatbyinnyutanyan Phaya and may be translated as 
the ‘pagoda 
(or god) of thorough 
knowledge 
and wide view’. 
It was built in the 12th century by King 
Alaungsithu (fig.). 
Its architectural style is usually described as transitional, i.e. between early 
style edifices, such as  
 
Ananda Phaya (fig.) 
which dates from 
1105 AD, 
and late style structures, such as 
that of 
			Gawdawpalin Phaya 
(fig.), of which construction began during the reign of King 
Narapati Sithu, who reigned from 1174 to 1211 AD, and was completed in 1227 AD, 
during the reign of King 
		      
				
				Htilominlo.
It is one of the earliest double-storey 
temples, yet with the arrangement that differs from from that of later 
double-storey temples, as if it were a try-out for the new form found in later 
structures. Three receding terraces, each adorned 
with crenellated parapets and corner stupas, rise above each storey. At the top 
is a curvilinear 
sikhara-like tower (fig.), 
surmounted by a slim, tapering spire. Though essentially 
in
the
jaturamuk 
style, i.e. with four entrances, one for each point of the compass, the eastern portico projects further than 
the others, breaking the symmetry, a style that is copied in later 
temples, such as 
							
							Sulamani Phaya
							
							(fig.) and Gawdawpalin. Whereas the 
southern, western and northern entrances each have 
a large, 
seated 
              Buddha image,
the 
eastern portico has a central stairway, 
flanked by two standing sentinels, 
that leads to an intermediate storey where an 
ambulatory forms a continuous passage 
way around the centre of the building, while 
two levels of windows provide the interior of light and a breeze of air. Two 
stairways built into the thick walls provide access to the terrace over the 
eastern portico, from where an external flight of stairs leads to the upper 
storey, where a huge 
		      
		      
              Buddha image 
is seated on a masonry throne. A further narrow staircase built into the thick 
walls leads to the terraces on the upper storey, which offers great panoramic 
views of the area. To the northeast of Sabbannu Phaya is a small so-called tally 
temple, i.e. a structure built with bricks set aside from the main temple. To 
keep count of the number of bricks used in the construction of Sabbannu Phaya, 
one brick was set aside for every 10,000 bricks used, and the tally temple was 
built with the bricks set aside for this (map 
- 
fig.).
See MAP.
 
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